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Mexican writer/director Carlos Reygadas' Palme D'Or-nominated film with non-professional actors told "about the mystical erotic pleasure of lost souls in the megalopolis of Mexico City." It caused controversy wherever shown, due to its two major scenes of sexual content - the act of fellatio - in the film's beginning and end dream sequences.
At the film's start, middle-aged, unattractive, inexpressive, overweight ("fatso") working class Mexican driver/bodyguard Marcos (Marcos Hernandez) was being given oral sex by his boss' daughter whom he had known since she was a child - she was named Ana (Anapola Mushkadiz) - a rich, sexy, 20s-something general's daughter with dread-locks and tattoos who worked part-time as a prostitute in a "boutique" (brothel).
She was talking on the home phone and also picking up on her cellphone, deliberately flaunting herself and flirting with him.
Gustavo Santaolalla's original music score accounted for the film's third and final Oscar win.
It was made by major A-list film-maker and Best Director-winning Ang Lee, and featured major stars in a story about a secret lifelong bond and longing for love (forbidden).
He joined a religious pilgrimage to the Basilica, where he repentantly walked on his knees with his head hooded, and died at the altar.
The film's final scene returned to the one in the opening, in which Marcos was again receiving fellatio from Ana as he stood in front of her (now more explicitly filmed with a prosthetic penis, without a condom) - he said: "I love you so, Ana" - to which she replied: "I love you too, Marcos" - and the film cut to black before the end credits.